‘Horse Girl Energy’, Memo Review, 2024
‘Cutting Through Time – Cressida Campbell, Margaret Preston and The Japanese Print’, Memo Review, 2024
‘Blaze’ at ARC ONE, Memo Review, 2023
with Tara Heffernan, ‘Collective Unease’ at Ian Potter Museum of Art, Memo Review, 2023
‘Woke in Fright’ at The Substation, Memo Review, 2022
‘David Attwood: Dust Blaster’ at Savage Garden’, Memo Review, 2022
‘Remnants of Perception: 'Ivan Durrant: Marmalade Skies Through Opal Eyes' and 'The Good'‘ Artlink, Spring 2024
‘How not to care about ecology’, Artlink, 44:1, Autumn/Winter 2024
‘Among the Idolaters: Three American Photographers’, Un Magazine, 18.1, 2024
‘The Price of Water and the Ongoing Colonization of Nature: Australian Cases in Global Context’, Monthly Review, 2023
‘Muckraking water markets: political journalism in the Murray-Darling Basin’, 2024
– “The Earth is still in the urne unto us”: On carbon sequestration, or the burial of air, Issue 251, 2023
– ‘A sitting duck? Environmentalism and working-class recreation’, 2023
– ‘Getting rich on their own supply: The housing crisis and capital’s supply-side solutions’, 2023
– ‘“Capitalism plus wind turbines”’: Adrienne Buller’s The Value of a Whale and the financialisation of climate change’, 2023
– ‘Please like, follow and subscribe: the pathos of Patreon’, 2023
– with Danni McGrath, ‘In search of lost bargains: An interview with Scott Fitzgerald, Ryan Mead-Hunter and Francis Russell of the Bargain Hunters podcast’, 2022
– ‘We new puritans: varieties of sobering experience’, 2022
– ‘A quiet coup for technopopulism? The anti-politics of the 2022 election’, 2022
– ‘The lucky coin? Crytpocurrency in Australia’, 2022
– ‘Elizabeth Holmes, Theranos and the entrepreneur as criminal’, 2022
– ‘Sitcom as pastoral: from the city to the country (and back again)’, 2020
– ‘A challenge to criticism: Judyth Emanuel’s Yeh Hell Ow’, 2020
– ‘The affordances of desire: on dating apps’, 2020
– ‘Loneliness without privacy: on isolation under lockdown’, 2020
– ‘‘Still water gone green’: The Murray-Darling Basin and the political economy of water’, 2020
– ‘Stay at home! The politics of COVID-19’, 2020
– ‘Lessons from the crisis: Adam Tooze’s Crashed’, 2020
– ‘The end of the future, again (and again [and again])’,, 2019
– ‘Notes in the margins of David Graeber’s Bullshit Jobs’, 2019
– ‘The gunboat nation in a lifeboat world’, 2019
– ‘Against liberal tolerance’, 2019
– ‘The archaeologist as hero in Billy Griffiths’ Deep Time Dreaming’, 2018 (cited in Laura Rademaker, ‘60,000 Years is not forever: “time revolutions and Indigenous pasts’, Postcolonial Studies, 25:4, 2022, pp.545-563)
– ‘An unguided tour through the communism of feeling: MoMA @ NGV’, 2018
– ‘The inhospitable university (or the machine of knowledge and ignorance)’, 2018
– ‘Workplace dictators and the free market: reading Private Government’, 2018
– ‘Something real in fiction: on Ryan O’Neill and Lynne Tillman’, 2018
– ‘Dismantling the treadmill: a critique of Mark Greif’, 2016
‘On Paper: The Fate of Handwriting’, Arena, 2024
‘Degrowth and the Technocratic Turn’, Arena Quarterly, 17
‘Damned Rivers: Chronicling the Murray-Darling Basin Region’, Arena, 2024
‘Depreciating the Real: The Never-Ending Disappointment of AI’, Arena, 2023
‘Play Half-Earth: Planning Fantasies and Eco-Politics’, Arena, 2023
‘The Fable of Equity’, Arena Quarterly, No.13
‘Sold Out: The United Australia Party’s Nihilistic Patrician Populism’, Arena, 2022
‘Exhibition Review: Simone Slee, Rocks holding up’, ArtsHub, 2024
‘Frames of Precarity’, demos journal, 11, 2021
– ‘Re-thinking crisis with Hannah Arendt: Neoliberalism Against the Common World’, demos journal, 10, 2020
with Louise Richardson-Self, ‘Patriarchy and gender in the Australian imaginary’, Archer, 2019
Reviews
Scott Robinson, ‘Review: The Politics of Grace in Early Modern Literature by Deni Kasa’, Journal of Religious History, 2024
Scott Robinson, ‘Review: The Conformist Rebellion: Marxist Critiques of the Contemporary Left, edited by Elena Louisa Lange and Joshua Pickett-Depaolis’, Capital & Class, 46:4, 2022, pp.589-591
Scott Robinson, ‘Review: Critical Theory Between Klein and Lacan: A Dialogue, by Amy Allen and Mari Ruti’, Critical Horizons, 23:3, 2022, pp.305-310
Scott Robinson, ‘Review: Debt and Guilt: A Political Philosophy by Elettra Stimili’, Thesis Eleven, 163:1, 2021, pp.142-145
Scott Robinson, ‘Review: Full Surrogacy Now: Feminism against the Family by Sophie Lewis’, International Journal of Feminist Approaches to Bioethics, 13:2, 2020, pp.199-203
Scott Robinson, ‘Review: Art, Politics and Rancière: Broken Perceptions by Tina Chanter’, Critical Horizons, 19:3, 2018, pp.264-269
Scott Robinson, ‘Fugitive Abstraction: Gordon Bennett’s Stripe Series’, Index Journal, 4, 2022
Conferences and speaking engagements
‘Tourists of a Sentimental History: Varda’s Visages Villages and the Passing (On) of the nouvelle vague’, After the New Wave: Cinema, History, Belatedness, 2023
‘The art of laziness and the politics of work’, AAANZ, 2022
‘The practice of turn-taking’, ASCP, 2022
‘Rethinking the economy: Arendt and the problems of ecological economics’, Historical Materialism, 2022
‘demos launch: Issue #11 Precarity’ at the IPCS, 2021
‘Neoliberal Nihilism and the Death of the Liberal Individual: On Wendy Brown, Michel Foucault and Beyond’, Political Theory, 2020
‘Neoliberalism and nihilism: a commentary on Wendy Brown’, ASCP, 2019
‘Full migrancy now: a manifesto of mimicry’, sick leave x Seventh Gallery, 2019
‘Gordon Bennett's Fugitive Abstraction: Irony and Heteronomy as De-Colonial Agents in Post-Colonial Aesthetics’, AAANZ, 2018
‘The irony of abstraction in Gordon Bennett’s Number series: Post-colonial Politics, Art and Philosophy in Australia’, ASCP, 2018
‘Irony in the archive: Paul Carter’s poetic historiography’, Colonialism and its Narratives: rethinking the colonial archive in Australia, 2018
‘The Unbearable Irony of Reading Kierkegaard (No Relation)’, Modernist Comedy and Humour, 2018
‘Aesthetic and religious experience: nonsense, art and the sacred’, Monash seminar, 2018
‘The Impossible Body of Jacques Rancière’s Aesthetics: The Disappearing Dancer of Aisthesis and the Role of Desire in Aesthetic Experience’, ASCP, 2017
‘Suspended Ethics in the Utopia of Art: Jacques Rancière’s Uncertain Utopia of Aesthetics’, (Un)Ethical Futures, 2017
Scott Robinson and Tara Heffernan, ‘Interview with the artists behind Celestial Bed’, Contingent Gristle, YouTube, 2023